Praise Her, Praise Her, Praise Her Chelsea de Sequine
I understand that the
poem below is controversial. Perhaps
a bit about myself would be of use. I
have been a practitioner of Wicca since the lats 1970's.
I am an avid student of the occult, working as I do as a
professional psychic as well as a published poet, songwriter and science
fiction author. I am an avid fan of Dan
Brown and especially of The Da Vinci Code and Among other interesting
things about Metz, is a custom of the Roma people Another formative event
in my development was spending time in Amsterdam studying at the Rittman
Library of Hermetic Philosophy. Hermetic
Philosophy quite simply is the well from which spring most of the Magickal
systems of the Renaissance period (the time of Marcello Ficino, the oldest
known Tarot decks, the heyday of the Kabbalah, etc) as well as the
classics of nineteenth century Magick including the works of Eliphas
Levi,The Order of the Golden Dawn, and OTO without which it is inarguable
that Gerald Gardner and Doreen Valiente would not have created the
wonderful neo-Pagan tradition which we know as Wicca. My contention
especially in writing the poem which appears below is to I am quite influenced
by the wonderful work of Barbara Walker in works such as her Women's
Encyclopedia of Myths and Secrets. It is quite obvious to me that the
Biblical story of Esther is actually about Ishtar or the Canaanite version
of Ishtar, Astarte who is mentioned in the Old Testament, primarily
because the prophets kept railing against Her worship and cutting down Her
sacred Groves. Her consort Dammuzi is
mentioned by name in 1 Kings. However,
there is something odd about the fact that Tammuz or Dammuzi dies from
being beheaded, but only after the Goddess known as Innanna or Ishtar
whose consort he is has descended to the Underworld, shedding one of her
garments at each of the Seven Gates of the Underworld.
It is my contention
that it is from this earlier myth that the story of Salome and the Dance
of the Seven Veils leading up to the beheading of John the Baptist is a
retelling and re-interpretation of the earlier myth which is hinted at in
the New Testament to be more clearly understood by initiates in the
Gnostic Mysteries (those with ears to hear as Jesus is said to have said).
The Seven Demons of the Underworld are said to have risen with
Innanna when she returned to this world after having been left to rot on a
meat hook by her sister Ereshkigal until the androgynous Being of Pure
Light, Ashashanumir, rescued her. The
Babylonian Underworld is very similar and by way of Zorastrianism was in
all probablity a model for the Christian image of "Hell." I attempted in my poem
to hint at these various connections between Pagan myths and the Gnostic
Christian mythos while at the same time attempting some stylistic
formalism from the point of view of poetic structure inspired by my study
of Robert Graves, known for having written The White Goddess and also for
the Gnostic fictional biography King Jesus among other works. I exchanged several
e-mails with the editor who at first intended to reject this poem because
of my mention of Jesus and Mary Magdalene (who to me are the dying
resurrecting Lord and the Lady who may be called by an infinity of names
and still represent the same drama of love and self sacrifice and of death
and rebirth) and because I use the word Hell to describe the Underworld. It is my personal belief not that all religions are the same,
but rather that many, most or perhaps all of the religions currently
extant have a common ancestor or at least speak to the same universal
Truths. Like any poem, this one
is intended first and foremost as a work of Art I hope that some of you
will enjoy it, and find that it inspires thought and further study,
particularly of the Mystery religions that were widely practiced
throughout the Middle East and parts of Europe particularly during the
historical period between the conquests of Alexander which introduced
Egyptian and Babylonian thought and culture to Hellenistic Europe up until
the Roman destruction of Jerusalem and the scattering of the Jews as well
as large numbers of Essenes, Pythogoreans and other Mystery sects
throughout Europe in the years from 70 to 100 or so CE. I hope that nobody is
offended by my poem but if so it is no fault of For better or worse here is my poem about death and rebirth and the Great Goddess known as:
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